Heavy Words

A hand-drawn two-part poem about a Styrofoam house and floating spire, followed by mock-scholarly political commentary.
1. I built a house of Styrofoam To keep the harbour safe 2. I built a spire To light the night It floated far away Commentary by Father Seth H. Gouli, PhD To begin, most experts agree on the following two points: 1. The Author is providing some sort of political commentary on deregulation of the construction industry, and perhaps deregulation in general. 2. Part two provides a clear and dire warning against said deregulation. While not expressly stated in the piece, it can be assumed that the door halfway up the spire represents poor adherence to building codes. After all, for whom is such an unreachable door intended? Moreover, the fact that the light continues to shine without any connection to the municipal power grid suggests an ad hoc electrical system (no doubt dangerous when untethered from the earth). The narrator presents the builder's careening through the sky as a direct consequence of his amateurish and naïve craftsmanship - a punishment for his reckless disregard of industry standards and best practices. The intent of part one, however, is heavily disputed. The two dominant interpretations are as follows: 1. The Author uses juxtaposed extremes to show us the ambiguity inherent in the issue. A styrofoam house which ensures the safety of the surrounding harbour is meant to signify original and innovative, possibly cost-effective solutions to difficult problems that would never be permitted under a strictly regulated environment. We see an ostensibly peaceful oceanside view with no sign of impending destruction, and a happy sailboat in the distance meandering about the waters. It is a scene simply devoid of strife. In this interpretation, the piece as a whole is meant to showcase both extremes; it allows the reader to judge for themselves whether deregulation is net beneficial to society. 2. The Author depends on the reader to recognize absurdity and thereby further His argument in favour of strong regulatory authority. The prose of part one should be taken as ignorance on the part of the narrator. That is to say, the prospect of a styrofoam house having such an effect on a harbour is obviously absurd, and thus this scenario is not reassuring but foreboding. We, the reader, are meant to understand that if this harbour is truly relying on the house for safety, then it is destined for catastrophe. Members of this camp argue that the calm waters are chosen as the subject specifically because there is no real danger to speak of, so the value of the styrofoam house cannot be interrogated. Inevitably, the weather will turn, and the storm will reveal the absurdity of the premise to all (most particularly to those poor, doomed sailors). The Author has refused to comment.